Autumn 2025
Yale Center for Engineering Innovation and Design (CEID) commissioned a suite of motion graphics projected throughout the space and used in promotional material. Using the new CEID logo, I designed four generative motion graphics that constantly create new ways of visualizing the logo.
Autumn 2025
Crew Dog, the fastest-growing collegiate apparel brand in the US, commissioned a full visul identity redesign and corresponding web design. Confident that Crew Dog’s success stems from its iconic use of mascots, I focused the visual identity on spotlighting the apparel designs with few visual distractions.
Autum 2024
For Climate Week 2024, I produced The Spirits are Laughing, a public art installation by Indigenous artist Jeffrey Gibson projected across New York City and the rest of the US. In the work, the artist’s original poetry comes to life through animated typography and moving backgrounds.
Spring 2025
Asher Young Studio, the creative studio behind A$AP Rocky, Sotheby’s, and Blue Man Group, among others, commissioned a visual identity design and corresponding website. I designed the dark, black-and-white visual identity to work well with images and videos of the studio’s work, much of which is set in low light.
Autumn 2025
Times New Roman looks great at small sizes, but it looks dull, clunky, and unrefined at display sizes. I designed Times Display to maintain the distinctive features of Times New Roman, but with higher stroke contrast, sharper serifs, and more elegant curves.
Autumn 2025
As part of ART 3769: Interactive Design and the Internet, I designed a sculptural clock made from falling numbers. The hour appears in red, the minute appears in blue, and the hour/minute appear in green if they are the same.
Autumn 2025
As my final project for ART 3769: Interactive Design and the Internet, I designed an interactive typographic flower generation tool. Users input messages that typographically form flower shapes, contributing to a growing bouquet or garden of flowers with encoded messages.